By Yu Hua
From considered one of China’s so much acclaimed writers, his first paintings of nonfiction to seem in English: a special, intimate examine the chinese language event over the past numerous many years, informed via own tales and astute research that sharply light up the country’s meteoric monetary and social transformation.
Framed by way of ten words universal within the chinese language vernacular—“people,” “leader,” “reading,” “writing,” “Lu Xun” (one of the main influential chinese language writers of the 20 th century), “disparity,” “revolution,” “grassroots,” “copycat,” and “bamboozle”—China in Ten Words unearths as by no means prior to the world’s so much populous but oft-misunderstood state. In “Disparity,” for instance, Yu Hua illustrates the mind-boggling fiscal gaps that separate voters of the rustic. In “Copycat,” he depicts the escalating development of piracy and imitation as an artistic new type of innovative motion. And in “Bamboozle,” he describes the more and more brazen practices of trickery, fraud, and chicanery which are, he indicates, changing into a lifestyle at each point of society.
Characterized by way of Yu Hua’s trademark wit, perception, and braveness, China in Ten Words is a refreshingly candid imaginative and prescient of the “Chinese miracle” and all its effects, from the singularly priceless viewpoint of a author dwelling in China today.
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Extra resources for China in Ten Words
Food and Culture (Lanham, Maryland: Rowman & Littlefield Publishers, 2013), 176. 18 Jung, Sweet and Sour, 35–36, quoted in Grace M. Mayer, Once upon a City: New York from 1890 to 1910 (New York: Macmillan, 1958), 417–18. 19 Lisa L. lisabug. pdf. ” Ordinarily escorted by white guides, some of them expected to see a vice district with opium dens, gambling houses and street fights which concurred with the stereotypes. ”21 After a long tour in Chinatown, it was natural for the adventure seekers to appease their hunger in Chinese restaurants, which made their visit complete.
It is these sources that altogether reveal the metamorphosis of Chinese American foodscapes. Through conducting interviews with restaurant owners, managers, chefs and food writers and seeing exhibitions on American Chinese restaurants in museums during my research trip in California, I got to know the local experiences of Chinese food. Restaurant reviews also constitute an important part of my sources. I not only talk about how American eaters and consumers understood Chinese food, but also incorporate the perspective of Chinese food producers and purveyors.
See Hsia, “Eating the Exotic”; Bryan R. Johnson, “Let’s Eat Chinese Tonight,” American Heritage 38, December 1987, 98–107. , 12. 23 Andrew Coe, Chop Suey: A Culinary History of Chinese Food in the United States (Oxford: Oxford University Press, 2009), 156–57. 24 Barbas, “I’ll Take Chop Suey”, 672. 25 A number of grand, elaborately-decorated Chinese restaurants equipped with white tablecloths and shining silverwares emerged. 26 More often than not, these restaurants were located in a two or three-story building, in which different floors were used to serve different customers, mostly based on social classes.